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Statistics : 11630 Movies 19215 People 1448 Studios 29 Articles 73 Interviews 12 DVD Reviews 32452 Screenshots 3722 Videos
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Biography |
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Chow See Luk was a film director, producer and director of photography whose career spans from the 30s to the early 60s. In the 50s he was one of the two managers of the Shaws' Cantonese Film Group, a post which enabled him to produced numerous films as well as to discover many talents in front and behind the camera.
Born in 1914, Chow originated from Guangdong. He steps into the Shanghai film industry as a teenager and is already an assistant cinematographer at 13 for the Unique studios run by the eldest of the Shaw brothers Runje . At 17 he becomes director of photography. He notably takes part in the productions of Unique's first talking film Nightclub Colours/ Gechang Chunse (1931) and to the first Cantonese dialect film ever made, also produced by Unique, The Platinum Dragon (1934). When Unique moves his movie-making operations to Hong Kong, Chow comes along and keeps working for the studio up until at least 1941.
Around 1947, Chow Sze Luk becomes a director with the film Joy And Success. In nine years, he has directed about seventy films for several Hong Kong studios including Qinhua, Wangfang and Longfeng. The best films of that time are Cantonese opera movies as well as comedies. He directed films in all kinds of dialects: Mandarin and Cantonese of course but also Chaozhou and Anoy.
In 1955, Shaw's second brother Runde, Shaw And Sons, Ltd studio's boss, sets up a Cantonese dialect production unit and appoints two seasoned filmmakers to run it: Fung Fung Goh and Chow Sze Luk. The later owes his new job to his own Cantonese background, his work in the Cantonese film industry as well as his decade long associsation with the Shaw brothers. As head of the unit Chow produces more than fifty films and directs about twenty. He discovers and uses many young new stars such as Patricia Lam Fung, Cheung Ying Tsoi, Mak Gei and Lui Kei (1). Talents behind the camera are also revealed by Chow like Ng Daan and Lung Fong, who are to become two important directors in the 1960s Hong Kong Cantonese cinema.
Early 1960s, Chow starts working more on Mandarin productions for the newly established Shaw Brothers, which probably contributes to the slowing down of the Cantonese Production Unit's pacing. For the Shaw Brothers, Chow directs The ChaseWhen The Poles Meet, Stepmother (1963), The Amorous Lotus Pan (1963) and The Female Prince (1964). Chow is assigned to direct the new wuxia production Temple Of The Red Lotus but dies of liver cancer on September 7, 1964. His final film The Female Prince is released on December 10 of that same year. The Shaw's Cantonese production unit is shut down shortly after Chow's death.
Written by Yves Gendron (January 2007). Source : The Shaw Screen a Preliminary Study. |
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Alternate lists by alpha / genre / year |
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Amorous Lotus Pan, The |
1964 |
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Female Prince, The |
1964 |
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Stepmother |
1963 |
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Chase |
1961 |
Director |
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Fan To Remember |
1961 |
Director |
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Mother |
1961 |
Director |
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When The Poles Meet |
1961 |
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Ever-Blooming Waterlilies, The |
1960 |
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Helping Hand, The |
1960 |
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Life Of Life |
1960 |
Director |
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Love And Chasity |
1960 |
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Love Knot (Part 1) |
1960 |
Director |
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Love Knot (Part 2) |
1960 |
Director |
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Pursuers, The |
1960 |
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Beseiged |
1959 |
Director |
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Bride From Another Town |
1959 |
Director |
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Case Of The Female Corpse, The |
1959 |
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Fragrance Of Durians, The |
1959 |
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Love On The Lonely Bridge |
1959 |
Director |
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Vengeance Of The Vampire, The |
1959 |
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Young Rock |
1959 |
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Crime Of Passion In The Hotel |
1958 |
Director |
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Marriage On The Rocks |
1958 |
Director |
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Mother's Broken Heart |
1958 |
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Pretty Girl's Love Affair, A |
1958 |
Director, Producer |
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Princess Jade Lotus |
1958 |
Director, Producer |
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Sweet Girl In Terror |
1958 |
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Valley Of The Love Birds |
1958 |
Producer |
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Virtuous Girl From A Humble House, A |
1958 |
Director |
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Dances Of Charm, The |
1957 |
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Fairy Sleeves, The |
1957 |
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Marriage Between The Quick And The Dead, The |
1957 |
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Pearl Of The Island |
1957 |
Director |
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Return On A Snowy Night |
1957 |
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Colorful Tokyo |
1956 |
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Feather Fan Under Spring Lantern |
1956 |
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Grand Reunion, The |
1956 |
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Pak Kam Lung And His Impersonator |
1956 |
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Story Of Little Cabbage And Yang Naiwu, The |
1956 |
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Eternal Peony |
1955 |
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Shilin Offers Sacrifice to the Leifeng Pagoda |
1955 |
Director |
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Silver Phoenix |
1955 |
Director |
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Snow White And The 7 Dwarfs |
1955 |
Director, Writer |
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Till Death Us Do Part |
1955 |
Director |
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Elopement, The |
1954 |
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Her Difficult Life |
1954 |
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When Beauty Fades From The Twelve Ladie's Bower |
1954 |
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Another Chance For Love |
1953 |
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Female White Golden Dragon, The |
1953 |
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Scholar In A Buddhist House, A |
1953 |
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Swallows' Return |
1953 |
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Woman In Grief |
1953 |
Director |
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Beautiful Matching |
1952 |
Director |
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Fool on Honeymoon, The |
1952 |
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Ghost That Created An Uproar In Guang Changlong, The |
1952 |
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Master Adou, A Native Of Darling |
1952 |
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My Beloved Grandchild |
1952 |
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Young Lady's Escort Army, The |
1952 |
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Eight Immortals In The World Of Men |
1951 |
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Good Mother And A Hooker, A |
1950 |
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How Song Jiang Slew His Mistress Yan Poxi |
1950 |
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Solving The Copper-Netted Trap |
1950 |
Director |
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Two Roaming Orphan Girls |
1950 |
Director, Writer |
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Walking Corpse Of An Old Temple |
1950 |
Director |
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Where Shall We Meet Again |
1950 |
Director |
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Beating The Match-Maker |
1949 |
Director |
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Chen Shimei Betrayed His Wife |
1949 |
Director |
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Great Wall, The |
1949 |
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Night Hanging Of Bai Furong |
1949 |
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Red Chamber Dream |
1949 |
Director |
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Shi Xiu's Uproar In Cuiping Hill |
1949 |
Director |
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Swordsman Of Shu Hill |
1949 |
Director |
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Wu Song's Bloody Fight At Double Pavilion |
1949 |
Director |
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Every Thing Goes My Way |
1948 |
Director |
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God's Punishment To The Good Man |
1948 |
Director |
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Joy And Success |
1948 |
Director |
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Mo Tsung's Adventure Of The Lion Pavilion |
1948 |
Director |
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Native Scholar, The |
1948 |
Director |
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Two Drug Addicts Sweep A Long Dike |
1948 |
Director |
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Furry Rat, The |
1941 |
Production Manager |
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Glowing Pearl, The |
1937 |
Cinematographer |
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Happiness Is A Well-Defended Home |
1937 |
Production Manager |
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