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Statistics : 11630 Movies 19215 People 1448 Studios 29 Articles 73 Interviews 12 DVD Reviews 32452 Screenshots 3722 Videos
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Other names : |
程小東 Chan Siu Tung Chen Siu Tung Cheng Hsiao Tung Cheng Shao Tung Cheng Xiao Dong Cheng2 Xiao3 Dong1 Ching Siu Dung Tony Ching
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Birthdate : |
30/10/1953 |
Nationality : |
Hong Kong |
Workplace : |
France, Hong Kong, USA |
Activities : |
Director (21), Assistant Director (1), Producer (3), Executive producer (1), Action Director (84), Writer (2), Actor (15), Brief appearance (7), Stuntman (1), Second Unit Director (1), Planning (1), Car Stunt (1) |
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Biography |
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Born in 1953, Ching Siu-tung is the son of Cheng Kang, a scenario writer / director of the Shaw Brother , who is known for Fourteen Amazons. Bad pupil at the school, his parents registered him at the " East Drama School " to learn the Pekinese opera, art which mixes dance, acrobatics and martial arts. At the end of his formation, he entered as stuntman in the Shaw Brother where his small size makes him an ideal bodydouble of the female roles. But the films in costumes being on the decline at the end of the Seventies, he had to go to television and became director of fights for TV series. He met there the future directors of the new wave, for example Patrick Tam, with whom he would direct the fights of the wu xia pian, The Sword, in 1980. The same year he worked on the action scenes of Don' T Play With Fire, whose the young director Tsui Hark wanted to exacerbate violence..
In 1982, Ching Siu-tung directed his first film, Duel To The Death, a wu xia pian describing the confrontation between two schools of martial arts, one is Chinese and the other is Japanese, to show the supremacy of their reputation. This first cinematographic experiment presents already several constants which belong to the Ching Siu-tung's style that is very linked to wu xia pian, kind in which he would be specialized, he never directed kungfu movie. Because he wants to show fights between knights who have supernatural capabilities, which is the spirit of the mangas of his childhood. He used to use the special effects (in particular, the cables) with an extremely tight plan division, an always mobile camera and generally extreme focal distances. By stylizing the action in this manner, Ching Siu-tung wants to represent movements, lots of colors and images, in which it is useless to seek logical unfolding. The moments of lull, dialogues or the result of the combat give information necessary to the good comprehension of the story. Beyond his work of choreographer, already very marked on Duel To the Death, Ching Siu-tung shows, even in his first film, a very marked taste for the cinema B. If he preserves at certain moment a noble approach of the kind, respecting the chivalrous values, introducing some references to the artistic universe, like the puppet show for example, he also likes to integrate bloodshed or mild nutters effects, freeing his imagination : ninjas on paper kites, swordmen moving under-ground, flying knights, speaking birds.. During his career, he remains attached to a basically impure cinema, using surprises and contrast particularly amusing when he succeeds in judiciously mixing the paradoxical ingredients with which he likes to compose his films. After the commercial failure of Duel To the Death, Ching Siu-tung directed two years later Witch From Nepal. He chooses this time a contemporary subject that could allure a public wearied by films in costumes. But like his later attempts, he did not manage to integrate his taste for imagination into a contemporary context. Either, in this first attempt, the fantastic universe emerges in an artificial way in the story, or, in Wonder Seven (1994) which he directed or Blacksheep Affair (1998) in which he directed the fights, surrealist processing gives a toon-like look to a realistic environment.
In unspecified time and space, his idea of cinema opened out without difficulty. But when the story takes place in a contemporary universe, his idea is very strange because it can't be easily integrated into a realistic environment. Doubting after the new commercial failure Witch From Nepal, Ching Siu- tung has the good idea to try to work with Tsui Hark, then creating his own production society, the Workshop. If at the beginning Tsui Hark planned to create an alternative to the system of the studios to help the directors to finance their projects, his strong personality would oblige his collaborators to make a choice : either to submit or to leave. Ching Siu-tung chose the first solution. Tsui Hark would work with him, using his talents of choreographer on most of his productions (Peking Opera Blues, A Better Tomorrow 2, Roboforce...), thus this new style, a mixture of the two ideas would give them a little something that is one of the marks of recognition of the Workshop style during the Eighties. he would also enable him to direct Chinese Ghost Story in 1987. If Tsui Hark gave him only little freedom, being implied on all the steps of the development of the project, he helped him to find an accuracy of tone, that, alone Ching Siu-tung didn't always find in his first films. Pivot of the Workshop between 1986 and 1993, Ching Siu-tung directed Terracotta Warrior in 1989, a film that Tsui Hark did not produce. Divided into two parts, he directed a love story in medieval China which continued in the Thirties under the form of an account of adventure. These two ages correspond to the two universes which nourish the imaginary of Ching Siu- tung. One is a past sublimated by fantasy, and the other is one period located at the beginning of the century, very "Indiana Jones". In this improbable mixture of adventures, historical events and fantastic, he can free his taste for the serie B, the marvellous and the fantastic adventures. Twice, with The Raid (1991) and Dr. Wai (1996), he tried this type of history. But he is more well-off in the universe of wu xia pian. After a sucessfull return of the kind made by Tsui Hark with Swordsman in which CST took part as a director of the engagements, he directed a sequel, always under the control of Tsui Hark, but being more free. He could express himself fully on the scenes of action and could finally concretize the work made on Duel To The Death, directing fast amazing scenes, where his most insane ideas would find their more beautiful expression.
After the success of Swordsman 2, Ching Siu-tung multiplied the projects between 1992 and 1993. Dragon Inn (1992), Swordsman 3 (1993) or Heroic Trio. But he used and misused the same effects in too many films, and in particular on those produced or directed by Wong Jing like Royal Tramp I &II (1992), Holy Weapon (1993), he precipitated the wear of the kind and his style, and the public abandoned films in costumes. If in 1995 he made the choreography of A Chinese Oddyssey, one of the last wu xia pian successfull, he tried to be renewed with Wonder Seven (1994) and Dr. Wai (1996) to answer new waitings of the public. But out of the wu xia pian and out the Workshop, Ching Siu-tung has great difficulties to convince. Too much specialized, director / choreographer with a too typified style, he was at the end of the Nineties in a situation close to what he knew at the beginning of his career. Lately he directed a clip of french female singer Mylène Farmer. But, like his colleagues working with the occident, his style was diluted to preserve only one exotic imagery of the characters flying. CST was often relegated to the second plan, but his action was determining in the development of the " Hong Kong Touch ". Let us hope that this clip is not the end of an exceptional career.
Laurent Henry (may-june 1999)
See also Ching Siu-tung's Sina blog in Chinese. |
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Filmography |
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Alternate lists by alpha / genre / year |
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Title
( HK - All )
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Year |
Activity ( Year - Title ) |
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Director |
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Am-Stram-Gram, L' |
1999 |
Director |
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Belly Of The Beast |
2003 |
Director |
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Chinese Ghost Story 2, A |
1990 |
Director |
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Chinese Ghost Story 3, A |
1991 |
Director |
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Chinese Ghost Story, A |
1987 |
Director |
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Conman In Tokyo |
2000 |
Director |
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Dr Wai In " The Scripture With No Words " |
1996 |
Director |
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Dragon Inn |
1992 |
Director |
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Duel To The Death |
1983 |
Director |
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East Is Red, The |
1993 |
Director |
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Empress And The Warriors, An |
2008 |
Director |
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Executioners |
1993 |
Director |
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Love On Delivery |
1994 |
Director |
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Naked Weapon |
2002 |
Director |
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Raid, The |
1990 |
Director |
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Sorcerer And The White Snake, The |
2011 |
Director |
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Swordsman |
1990 |
Director |
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Swordsman 2 |
1992 |
Director |
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Terracotta Warrior |
1989 |
Director |
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Witch From Nepal |
1986 |
Director |
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Wonder Seven |
1994 |
Director |
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Assistant Director |
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Criminals, The |
1976 |
Assistant Director |
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Producer |
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Executioners |
1993 |
Producer |
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Heroic Trio, The |
1993 |
Producer |
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Swordsman 2 |
1992 |
Producer |
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Executive producer |
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Flying Dagger |
1993 |
Executive producer |
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Action Director |
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Ah Kam |
1996 |
Action Director |
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All About Ah Long |
1989 |
Action Director |
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Assassin Swordsman, The |
2000 |
Action Director |
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Bastard Swordsman, The Grand Conclusion |
1979 |
Action Director |
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Belly Of The Beast |
2003 |
Action Director |
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Better Tomorrow II, A |
1987 |
Action Director |
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Blacksheep Affair |
1998 |
Action Director |
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Butterfly And Sword |
1993 |
Action Director |
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Butterfly Lovers |
2008 |
Action Director |
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Casino Raiders 2 |
1991 |
Action Director |
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Cherie |
1984 |
Action Director |
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Chinese Ghost Story 2, A |
1990 |
Action Director |
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Chinese Ghost Story 3, A |
1991 |
Action Director |
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Chinese Ghost Story, A |
1987 |
Action Director |
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Chinese Odyssey II : Cinderella, A |
1995 |
Action Director |
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Chinese Odyssey, A : Pandora's Box |
1995 |
Action Director |
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City Hunter |
1993 |
Action Director |
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Conman In Tokyo |
2000 |
Action Director |
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Curse Of The Golden Flower |
2006 |
Action Director |
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Dangerous Encounter - 1st Kind |
1980 |
Action Director |
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Dororo |
2007 |
Action Director |
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Dr Wai In " The Scripture With No Words " |
1996 |
Action Director |
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Dragon Inn |
1992 |
Action Director |
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Duel To The Death |
1983 |
Action Director |
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Duel, The |
2000 |
Action Director |
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East Is Red, The |
1993 |
Action Director |
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Eighth Happiness, The |
1988 |
Action Director |
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Empress And The Warriors, An |
2008 |
Action Director |
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Executioners |
1993 |
Action Director |
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Flying Dagger |
1993 |
Action Director |
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Fourteen Amazons, The |
1972 |
Action Director |
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Fun, The Luck & The Tycoon, The |
1990 |
Action Director |
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Future Cops |
1993 |
Action Director |
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Future X-Cops |
2010 |
Action Director |
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Gambler's Delight |
1981 |
Action Director |
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Happy Ghost 3 |
1986 |
Action Director |
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Hero |
2002 |
Action Director |
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Heroic Trio, The |
1993 |
Action Director |
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Holy Weapon |
1993 |
Action Director |
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House Of Flying Daggers |
2004 |
Action Director |
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I Love Maria |
1988 |
Action Director |
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In the Name of the King: A Dungeon Siege Tale |
2007 |
Action Director |
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Invincible |
2001 |
Action Director |
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Just Call Me Nobody |
2010 |
Action Director |
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Justice, My Foot ! |
1992 |
Action Director |
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Kidnap |
1974 |
Action Director |
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Killer, The |
1989 |
Action Director |
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Kung Fu Dunk |
2008 |
Action Director |
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Lady Of The Law |
1975 |
Action Director |
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Legend of Shaolin Kungfu I : Heroes in Troubled Times |
2007 |
Action Director |
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Legend of Shaolin Kungfu III : Heroes of the Great Desert |
2011 |
Action Director |
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Lucky Encounter |
1992 |
Action Director |
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Mad Monk, The |
1993 |
Action Director |
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Master Strikes, The |
1980 |
Action Director |
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Monkey Kung Fu |
1979 |
Action Director |
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Moon Warriors, The |
1992 |
Action Director |
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My Schoolmate, The Barbarian |
2001 |
Action Director |
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Naked Weapon |
2002 |
Action Director |
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Negotiation |
1977 |
Action Director |
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Peking Opera Blues |
1986 |
Action Director |
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Raid, The |
1990 |
Action Director |
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Rats, The |
1973 |
Action Director |
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Return Of The Deadly Blade |
1981 |
Action Director |
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Rolls Rolls I Love You |
1982 |
Action Director |
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Royal Tramp |
1992 |
Action Director |
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Royal Tramp 2 |
1992 |
Action Director |
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Sentimental Swordsman, The |
1979 |
Action Director |
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Shaolin Boxer, The |
1974 |
Action Director |
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Shaolin Soccer |
2001 |
Action Director |
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Son On The Run |
1991 |
Action Director |
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Sorcerer And The White Snake, The |
2011 |
Action Director |
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Story Of Woo Viet, The |
1981 |
Action Director |
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Sword, The |
1980 |
Action Director |
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Swordsman |
1990 |
Action Director |
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Swordsman 2 |
1992 |
Action Director |
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Swordsman Adventure |
1983 |
Action Director |
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Tea House, The |
1974 |
Action Director |
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Terracotta Warrior |
1989 |
Action Director |
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Treasure Hunter |
2009 |
Action Director |
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Twinkle Twinkle Little Star |
1983 |
Action Director |
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Warlords, The |
2007 |
Action Director |
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Warriors Of Virtue |
1997 |
Action Director |
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Witch From Nepal |
1986 |
Action Director |
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Wonder Seven |
1994 |
Action Director |
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Writer |
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Duel To The Death |
1983 |
Writer |
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Wonder Seven |
1994 |
Writer |
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Actor |
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Badge 369 |
1974 |
Actor |
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Come Drink With Me |
1966 |
Actor |
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Funny Children |
1979 |
Actor |
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Golden Lion, The |
1975 |
Actor |
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Goodbye Hero |
1990 |
Actor |
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Jade Raksha, The |
1968 |
Actor |
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Lady Of The Law |
1975 |
Actor |
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Last Message, The |
1975 |
Actor |
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Master Strikes, The |
1980 |
Actor |
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Monkey Kung Fu |
1979 |
Actor |
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Rats, The |
1973 |
Actor |
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Super Kung Fu Kid |
1974 |
Actor |
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Tea House, The |
1974 |
Actor |
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Tournament, The |
1974 |
Actor |
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Vengeance Is A Golden Blade |
1969 |
Actor |
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Brief appearance |
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Ambush |
1973 |
Brief appearance |
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Banquet, The |
1991 |
Brief appearance |
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Big Hold Up, The |
1975 |
Brief appearance |
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Casino, The |
1972 |
Brief appearance |
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Snake Shadow Lama Fist |
1979 |
Brief appearance |
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Stoner |
1974 |
Brief appearance |
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Twin Dragons, The |
1992 |
Brief appearance |
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Stuntman |
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Fourteen Amazons, The |
1972 |
Stuntman |
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Second Unit Director |
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In the Name of the King: A Dungeon Siege Tale |
2007 |
Second Unit Director |
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Planning |
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Wonder Seven |
1994 |
Planning |
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Car Stunt |
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Rolls Rolls I Love You |
1982 |
Car Stunt |
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Article
Review
Poster/Gallery
DVD Captures
Trailer
DVD Captures/Trailer
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Interview Links |
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